Broadside advertising performances by Horn, Wells and Briggs' Ethiopian Serenaders at the Boston Museum on Thursday, July 31, 1851, and through the week. Performance include "Black Shakers," "Dutch Drill," and "Old Tar River.";
Broadside advertising performances by Horn, Wells and Briggs' Ethiopian Serenaders at the Boston Museum on Saturday, August 2, 1851.; Date is incribed in pencil on the front of the broadside.
Broadside advertising stage performances by the Morris Brothers, Pell & Trowbridge's Minstrels in Philadelphia on June 13, 1859.; Charles Morris information derived from a New York Times obituary from April 20, 1922. [https://www.nytimes.com/1922/04/20/archives/charles-a-morris-veteran-minstrel.html];
A handsome copy of Converse's final tutor, with the ownership signature "S[ister]r. Beatrice, OSB, 1893." Includes a generous selection of music; the final ads are for Converse's line of banjos, and include full page diagrams of his improvements in neck mounting and tail piece.
First edition. A major treatise by a leading manufacturer, marking the evolution of the instrument from minstrel stage to concert hall. This is an early issue with uncorrected textual errors e.g. "seemad" for "seemed" on p. 30, line 12, "audiance" for "audience", p. 14, line 12 from bottom, and "affect" for "effect" on p. 64, line 5 from bottom. Most notably, subsequent editions did not include the nine portraits of professional players, but only the portrait of Stewart.
Second edition; stamped "Complimentary Copy" on ffep [front free end paper], and with the pencilled block letters, "Danville School of Music. H. Q. Porter, Violin; H. A. Prior, piano; Park Hunter, Banjo," on the verso of the portrait. As noted, the textual errors are here corrected, and only the portrait of Stewart is retained.
Title from content of broadside after header information.; At head of title: Wheatley's Arch St. Theatre Wednesday evening, July 21st.; Broadside advertising performance by Ordway's Æolians in Philadelphia at Wheatley's Arch St. Theater on Wedenesday, July 21st 1858. Acts include various musical performances and a stage performance entitles "Oh! Hush!";
Title from content of broadside after header information.; At head of title: San Francisco Minstrels 585 Broadway, opposite Metropolitan Hotel. Nulli secundus! Thirty-eighth week. Houses crowded to repletion.; Broadside advertising musical and stage performances by the Birch, Wambold, Bernard & Backus San Francisco Minstrels in New York on January 25, 1866.;
For voice and pianoforte ; "Dedicated to Georgiana"--Caption; Engraved; Words for verses 2 and 3 printed as text on p.3; Composer unknown. Initials C.F.D.--p. 3.
Note
First edition of the first piece of published music related to the banjo, and a very early example of Negro dialect song. The full history of this intriguing piece remains to be written. It is dedicated to Georgiana, presumably Georgiana, Duchess of Devonshire, who died in 1806. Two copies of the present edition are located on OCLC, at Brigham Young University, and University of Glasgow Library, which dates it to 1802. The lyrics, here signed "C.F.D." on p. 3, were published among the poems appended to Robert Charles Dallas' Adrastus, a Tragedy. Amabel or the Cornish Lovers; and other poems, London, 1823. They are attribed there to "Charlotte," with the following note: "The melody of this song, which was published some years ago, by Broderip and Wilkinson, is, with very little variation, such as was caught by ear from some of the negroes. The writer of the words took down the notes, and added the harmony." - p. 145. Dallas was born in Jamaica, a setting that adds credence to the anecdote on the song's origins. Early accounts of slave life there include descriptions of gourd ancestors of the banjo. As preserved in its present setting however, it must be said, the melody sounds more like something that could have been sung by Mozart's Papageno. At any rate, a rare and significant banjo incunabulum, in perfect condition.
Broadside advertising stage performances of music and dance ensembles and a performance of the 5th act of William Shakespeare's "Richard III" by Sandford's Opera Troupe in Boston on Friday, July 11, 1856.;
Title from content of broadside after header information.; At head of title: Theatre-Royal, Bath.; Broadside for a performance by Boz's Juba (William Henry Lane) and G.W. Pell's Ethiopian Serenaders at the Theatre-Royal in Bath, England.; The date of 1848 is handwritten on the broadside.
Titlefrom content of broadside after header information.; At head of title: Boston Museum! Acting and Stage manager Mr. E. F. Keach.; Broadside advertising musical ensemble performances by Bryant's Minstrels at Boston Museum on Friday, August 2,1861.; Evan Evans Hern (1823-1877) performed under the stage name "Eph Horn" -- Burnt Cork and Tambourines: A Source Book for Negro Minstrelsy, by William Slout;
A scarce and important banjo tutor, by a well known performer. Many of the tunes are by the author, who led Buckley's Serenaders, a long popular minstrel troupe. This is probably a somewhat later printing, but still preserving the cover diagram of the fretless minstrel pitched instrument.
Title from content of broadside after header information.; At head of title: Musical Hall, Brooklyn corner of Fulton and Orange sts., late Brooklyn Museum; Broadside advertising performances by Charley White, Sile Weed, Frank Wells (Bernard Mundy), and Master Tucker along with Charley White's Opera Troupe at Musical Hall, in Brooklyn on Friday, January 8th, 1857.;
Nonsequentially numbered back material includes: "Observations on Stroke or Thimble Playing on the Banjo", "The Banjo Philosophically, Its Construction, Its Capabilities, Its Evolution, Its place as a Musical instrument. Its possibilities, and Its Future : A Lecture", "An Exposition of the Harmonic Tones Used in Banjo Playing and Their Philosophy" and "How to Put a Head on a Banjo."
Note
Stated "36th Edition." With a new preface and supplementary material. A fundamental document of the era of the parlour banjo, by the eminent maker and theoretician, first published in 1883. A second part was offered separately.